If you like your music deep yet catchy without that overwhelming noise, Von LaRae’s “2 Is Company” deserves another spot in your music library. Blending afrobeats, amapiano, 90s R&B, and alt-pop, this 15-part album offers expansive experience, fitting perfectly whether you’re chilling on a Sunday afternoon, vibing at the party, or buried deep in silk […]
Feel Intimacy in Motion with “2 Is Company” by Von LaRae Read More »
At some point in the ever-scrolling void of the modern music landscape, where every third indie EP is “a deeply personal meditation on liminality” recorded in a shed in Maine, you stop expecting sincerity to actually work. But then something like The Earth & All Within appears, and you remember that sincerity isn’t the problem.
The Earth & All Within Isn’t Interested in Being Subtle Read More »
You can’t contain Jazz For Gen X in a few words. Whether you’re on a quest for a new sound, or just want to hear something good and familiar, The Revenge Society delivers it all. With fourteen tracks featuring groove metal, ska punk, acoustic ballads, shoegaze, and stoner rock, Jazz For Gen X is both
At first glance, this record looks like it came out of a fever dream or an intense, all-time high feeling with a niche, never-seen-before title similar to a children’s book. But, you’d be surprised to know that “The Walrus, The Ninja, and The Gypsy From Sydney” are made up of songs that set the mood
Here’s the thing: not every album is meant to slap. Not every record is supposed to bang, vibe, or soundtrack a latte-fueled morning walk in a recycled outfit. Some albums exist to sit with you when things don’t make sense. Permanent Solution for a Temporary Problem, the latest by Sjelløs, is one of those. It’s
Imagine watching Mark Ronson’s Oh My God video and being greeted by a spectral digital Lily Allen crooning in a smoky dive bar that feels pulled straight from a sad dream about 2007. At first, you think, “Ah, okay, CGI Lily Allen, that’s clever,” but then something unsettling creeps in. She’s too smooth. Too precise.
Rosetta West is not a band you discover so much as a band you stumble across by accident, possibly in a thrift store bin, or via a strange dream that ends with a cryptic recommendation whispered by a 200-year-old bluesman. They are the type of band that doesn’t so much release albums as they do
You Don’t Listen to God of the Dead by Rosetta West So Much as Navigate It Read More »
This record is no doubt an essential for all young adults everywhere — it explores yearning for big dreams, change, starting anew, and the fear of it all. Each song walks with you, understands you through the process of adulthood, deeming them suitable companions to keep trekking and exploring the world like it’s your oyster.
a_shes Creates An Immersive Space About Growing Up With “young adult fiction” Read More »
There’s something oddly refreshing about Copium, the latest from Bloomfield Machine. It’s not because it’s particularly groundbreaking or life-changing, but because it’s not trying to be either. In a music landscape where every release comes with a glossy press kit, a hype cycle, and some vague promise of “pushing boundaries” or something of the sort,
Bloomfield Machine’s Copium isn’t about escape or reinvention; it’s about survival Read More »
Let’s talk about ambition; the sleepless, soul-dredging kind. The kind that doesn’t come with a podcast sponsorship or an Instagram-ready quote. I’m talking about the real thing: the 3 a.m. sessions, the coffee gone cold, the DAW staring back like a mirror you didn’t ask for. That’s the kind of ambition fueling BRAINMAZE, the self-titled
