TRACK REVIEWSLATEST International New Music Track Review There’s a Certain Kind of Bravery in Writing a Song Like “Fly Away” Ian Ureta November 8, 2025 0 International New Music Track Review Emerge With A Strength That’s Earned And Lived With “Wasteland Whispers” by Pentrilox Ada May Sacil November 6, 2025 0 International New Music Track Review “Somebody’s Always Doin’ Something 2 Somebody” Feels Like the Sound of Someone Who Still Believes Guitars Can Tell the Truth Ian Ureta November 4, 2025 0 International New Music Track Review “Don’t Fall” Is the Sound of a Band Refusing to Rush What Actually Matters Ian Ureta November 4, 2025 0 International New Music Track Review On “Fumes,” HorthWorld Is an Artist Catching Fire in Real Time, Running on Heart, Hope, and Fittingly, Fumes Ian Ureta November 2, 2025 0 International New Music Track Review Trueclaw’s “The Ones Remembered” Carries Loss And Legacy Ada May Sacil November 1, 2025 0 International New Music Track Review Maybe Everyone Else Can Get to Thain’s Ill Levels on “Still Sick” Ian Ureta November 1, 2025 0 International New Music Track Review “Ruckus” by SHY.COMFY.DENSE. Hits Hard Without Gimmicks And Ego Ada May Sacil October 31, 2025 0 International New Music Track Review Rooftop Screamers’ “Forsaken” Is A Foreboding Doom In Grit and Distortion Ada May Sacil October 30, 2025 0 International New Music Track Review Love Isn’t A Fleeting Moment in TaniA Kyllikki’s “I Promise I’ll Wait For You” Ada May Sacil October 24, 2025 0 International New Music Track Review Micki XO’s “Power Outage” Hums Like It’s Running on the Last Bit of Battery Life but Refusing to Shut Down Ian Ureta October 19, 2025 0 International New Music Track Review Transgalactica’s Track, “The Great Escape: Famine,” Is the Alternative That We Need Ervin Besana October 16, 2025 0 International New Music Track Review “This Is What Love Can Feel Like” Moves With the Weird, Non-Linear Logic of Memory Ian Ureta October 14, 2025 0 International New Music Track Review Social Gravy’s Newest Track, “Fools,” Is Truth in Its Honest Form Ervin Besana October 11, 2025 0 International New Music Track Review Dan Gober’s “My October Rose” Is Love Straight Out Of A Vinyl Record Ada May Sacil October 10, 2025 0 International New Music Track Review “You Are My Sunshine” Has Been Flattened by Decades of Forced Optimism; The7thGatekeeper Drags It Through the Dirt Just to Remind Us That Light Only Means Something if There’s Shadow to Measure It Against Ian Ureta October 8, 2025 0 International New Music Track Review Kelsie Kimberlin’s “Dream of Peace” Stands Out in How It Fuses That Technical Polish With Raw, Humanitarian Urgency Ian Ureta October 7, 2025 0 International New Music Track Review For a Debut, Red Skies Dawning’s “Shipwrecked” Is Impressively Self-Assured Ian Ureta October 6, 2025 0 International New Music Track Review “Just a Kiss” Isn’t a Reinvention; It’s a Reminder That Pop Can Still Feel Mythic When It’s Done by Someone Who Believes in It Ian Ureta October 6, 2025 0 International New Music Track Review The Thing About Jesabel’s “Woman in the Woods” Is That It Resists Being Boxed In Ian Ureta October 4, 2025 0 International New Music Track Review HZPROD’s “War Within” and Resilience as a Shared Anthem Rather Than a Solo Boast Ian Ureta September 28, 2025 0 International New Music Track Review Cydan’s Newest Track, “Falling 4 U” Hits Us Right in the Feels Ervin Besana September 27, 2025 0 International New Music Track Review Freya Magee’s “Forget Yourself Not” Is The Art of Not Losing Yourself Ada May Sacil September 27, 2025 0 International New Music Track Review Michellar’s “Never Say Sorry” Isn’t Just a Milestone Release; It’s a Statement of Intent Ian Ureta September 27, 2025 0 International New Music Track Review Brian Hunsaker’s Newest Single “Power Over You” is the Heavy Rock Anthem That You Need Ervin Besana September 27, 2025 0 International New Music Track Review Audius’ “Trigger” Ricochets Between Desire And Destruction Ada May Sacil September 26, 2025 0 International New Music Track Review “Worth It” Is Messy, a Little Unforgiving, but Completely Irresistible Ian Ureta September 20, 2025 0 International New Music Track Review You Can’t Fit The House Flies’ “Sweet Foxhound” Into One Single Meaning Ada May Sacil September 17, 2025 0 International New Music Track Review With Shadows, Lucas Burn Shows That Hip-Hop Can Also Thrive in the Dark, Unsettling Corners of Your Psyche Ian Ureta September 12, 2025 0 International New Music Track Review Proklaim’s “NOTHA 1 DOWN (MINI)” Isn’t Your Average Hip-Hop Track Ada May Sacil September 9, 2025 0 International New Music Track Review Leazes’ “Melissa In Action” Is A Late Summer Drive With No Destination In Mind Ada May Sacil September 3, 2025 0 International New Music Track Review If Music Were Recorded For Authenticity Over Perfection, It Would Be A WOLF LIKE ME’s “Driving With Lilly” Ada May Sacil September 1, 2025 0 International New Music Track Review Michellar’s “September” is a Soft Farewell to Changing Seasons Ada May Sacil August 31, 2025 0 International New Music Track Review Lily Galin’s “What’s your story” Holds Your Unguarded Heart Gently Ada May Sacil August 30, 2025 0 International New Music Track Review CANTBUYDEEM’s “It’s Whenever” Feels Like a Drink Someone Actually Made for You; Shaken, Not Stirred, Handed Over With a Wink Ian Ureta August 30, 2025 0 International New Music Track Review Geoff Abraham Band’s When Love Is at the Root Is Just a Great Song; Plain and Simple Ian Ureta August 30, 2025 0 International New Music Track Review Leather Laces Aren’t Just Setting the Mood on Marching in the Fog; They’re Staging a Siege Ian Ureta August 25, 2025 0 International New Music Track Review Chloe Sofia’s The Girl Next Door Is Less a Revolution and More a Revival Ian Ureta August 24, 2025 0 International New Music Track Review “Way Too Hot” by zukrassverliebt is Your New Way to Flirt (Respectfully) Ada May Sacil August 23, 2025 0 International New Music Track Review Ball in the House’s “Take A Chance” is Unashamedly Romantic in the Best Way Ada May Sacil August 23, 2025 0 International New Music Track Review “Car Crash” by Love Ghost Is a Reminder That Sometimes, Devastation Doesn’t Need to Roar Ian Ureta August 23, 2025 0 International New Music Track Review Patrick Costello Proves on Baltimore City/Let the Brothers Breathe That Anger Doesn’t Have to Be Dour or Joyless Ian Ureta August 23, 2025 0 International New Music Track Review “Ride Or Die Kinda Girl” Is Irian Darkwood’s Way Of Seizing The Day Kate Clarice Lee August 22, 2025 0 International New Music Track Review The7thGatekeeper’s “Not to Be Taken” is an Inescapable, Doom-Foreboding Force Ada May Sacil August 21, 2025 0 International New Music Track Review Shelita’s Not Begging for Your Attention on You Will Want My Love; She’s Assuming She Already Has It Ian Ureta August 17, 2025 0 International New Music Track Review WhiteRoomNightmare’s “Space Cadet” Will Knock Your Socks Off Kate Clarice Lee August 16, 2025 0 International New Music Track Review Listening to Chandra’s “Just With You” Will Never Leave You The Same Ada May Sacil August 16, 2025 0 International New Music Track Review Jane N’ The Jungle’s “Parasite” Is Not Subtle Ian Ureta August 16, 2025 0 International New Music Track Review No Rush, Just Rock with Electric High’s “Ain´t Got Nothing But Time” Ada May Sacil August 13, 2025 0 International New Music Track Review By Blending That Precision With Mythological Weight, Exzenya Turns Intermittent Love Into Something More Than Just a Breakup Song Ian Ureta August 13, 2025 0 International New Music Track Review Cowards and Shadows by Fiona Amaka Works Because It’s Not Forcing You to Feel Anything Specific Ian Ureta August 13, 2025 0 International New Music Track Review Azkia Malik’s “Natural Habitat” Got No Filler, No Empty Flair — Just Pure Hip-Hop Ada May Sacil August 13, 2025 0 International New Music Track Review The Real Joy Is That Babyboii’s Pelham Parkway Feels Lived In Ian Ureta August 12, 2025 0 International New Music Track Review Boathouse Row by MrZnote Is a Quiet Flex; the Kind That Doesn’t Need to Raise Its Voice Because It Knows Exactly Who It’s Talking To Ian Ureta August 12, 2025 0 International New Music Track Review In Search For An Authentic, Country Tune? David Alex-Barton’s “Dog ‘N All” Is The Way To Go Kate Clarice Lee August 12, 2025 0 International New Music Track Review Wrack Your Mind To Shyfrin Alliance’s “Colours Of Time” Kate Clarice Lee August 12, 2025 0 International New Music Track Review Romanticize Life With Audren’s “A New Page” Kate Clarice Lee August 8, 2025 0 International New Music Track Review DG Adams’ “Business As Usual” Is A Spot-On Track About Our World Today Kate Clarice Lee August 7, 2025 0 International New Music Track Review Emland’s “You and I” Isn’t Just Another Heartbreak Anthem—It’s an Elegy Ada May Sacil August 5, 2025 0 International New Music Track Review There’s No Escape in Brian Hunsaker’s “Haunted” Ada May Sacil August 3, 2025 0 International New Music Track Review Trevor Drako is Back With a Unique, Authentic Edge in “Bottomless emotions” Ada May Sacil August 3, 2025 0 Feature Local Track Review Cavite’s Invictus Nails That Early 2000s Comeback Vibe Al Sangga August 1, 2025 0 International New Music Track Review Talon David’s Paradise State of Mind is a Beam of Light Against the Storm Ada May Sacil August 1, 2025 0 International New Music Track Review “Spirit Box” by Love Ghost Proves Once Again That Sometimes, the Scariest Thing in the Room Is Your Own Feelings, Especially When They’ve Got Reverb Ian Ureta July 31, 2025 0 International New Music Track Review Kris Kolls is Back with a Chic, Charismatic Pop Gem “Little Game” Ada May Sacil July 30, 2025 0 International New Music Track Review Neska Rose Sparks with Funk and Style in “Bubbling!” Ada May Sacil July 30, 2025 0 International New Music Track Review CREEPIN/FURTHER (2 IN 1) is a Dual-track Statement on motion, On Heritage, on Pushing The Form Without Shouting About it Ian Ureta July 27, 2025 0 International New Music Track Review You Can Hear The Weight In Pimpin Change’s Voice, Leaving Only A Simple Message: “Love You All” Ian Ureta July 25, 2025 0 FEATURED Album Review International New Music Across Its Ten Tracks, Avaraj’s The Crumble Isn’t Neat, nor Should It Be Ian Ureta November 10, 2025 0 Album Review International New Music Protected: Industry Plant Is a Love Letter to Imperfection, to the Joy of Making Noise With Your Friends Until It Starts to Sound Like Something True Ian Ureta November 9, 2025 0 EP Review International New Music For All Its Screaming, Distortion, and Collected Chaos, More Than It Leaves You With Is Not an EP About Despair; It’s About What’s Left After It Ian Ureta November 9, 2025 0 Album Review International New Music Sleeping Fits Is an Album About Friction Between the Organic and the Artificial Ian Ureta November 9, 2025 0 EP Review International New Music The Sad Season Bring Back the Raw Heart of Rock on “It’s All Too Loud in Here” Ada May Sacil November 8, 2025 0 EP Review International New Music “Live at the George Tavern”: A Reminder That the Most Exciting Thing About Music Is When It’s Happening Right Now Ian Ureta November 8, 2025 0 Album Review International New Music Bastion’s Wake “Go Tell the Bees” Is A Vessel Of Stories For Everyone Who Has Lived, Lost, and Returned Ada May Sacil November 8, 2025 0 EP Review International New Music Future Magic and Voxx Use Electronic Sound Not as Armor but as Exposure on Collisions Ian Ureta November 8, 2025 0 International New Music Track Review There’s a Certain Kind of Bravery in Writing a Song Like “Fly Away” Ian Ureta November 8, 2025 0 Album Review International New Music On Pertinax, Suris Are Out Here Writing Songs About Feeling Too Much Ian Ureta November 7, 2025 0 Album Review International New Music Epic Scales Feels Refreshingly Tactile; Like It Was Built With Hands, Sweat, and Maybe a Bit of Divine Frustration Ian Ureta November 6, 2025 0 International New Music Track Review Emerge With A Strength That’s Earned And Lived With “Wasteland Whispers” by Pentrilox Ada May Sacil November 6, 2025 0 MORE REVIEWS Album Review International New Music Across Its Ten Tracks, Avaraj’s The Crumble Isn’t Neat, nor Should It Be November 10, 2025 Album Review International New Music Protected: Industry Plant Is a Love Letter to Imperfection, to the Joy of Making Noise With Your Friends Until It Starts to Sound Like Something True November 9, 2025 Album Review International New Music Sleeping Fits Is an Album About Friction Between the Organic and the Artificial November 9, 2025 Album Review International New Music Bastion’s Wake “Go Tell the Bees” Is A Vessel Of Stories For Everyone Who Has Lived, Lost, and Returned November 8, 2025 Album Review International New Music On Pertinax, Suris Are Out Here Writing Songs About Feeling Too Much November 7, 2025 Album Review International New Music Epic Scales Feels Refreshingly Tactile; Like It Was Built With Hands, Sweat, and Maybe a Bit of Divine Frustration November 6, 2025
