There’s a certain kind of artist who talks about “authenticity” as a branding exercise, and then there’s I.K.P. (The Infamous King of Positivity), where authenticity feels less like a choice and more like the only available option. Psyche, their latest EP, sits very firmly in the latter category. It’s not trying to convince you it’s
Psyche Works Because It Doesn’t Pretend to Have Everything Figured Out Read More »
There’s a very specific kind of gamble in releasing a live EP when you’ve been a band for over twenty years, and it’s this: you are effectively saying, “Alright, no tricks now. This is what we actually sound like.” No studio safety net, no post-production wizardry smoothing over the edges; just a room, some microphones,
Once in a while, you’ll come across a track like LiMaVii’s New World 33. The one that feels dreamy, not distant, not fleeting, but in a way that goes beyond what you hear. LiMaVii is a singer, songwriter, and spiritual healer from the coastal city of Gdynia, Poland. Now, she’s back with New World 33
LiMaVii’s “New World 33” Feels Like Entering A New Frequency Read More »
The word Liminal is the kind of word that immediately suggests atmosphere, thresholds, in-betweens, emotional states that don’t quite resolve. It also quietly sets expectations: if you’re going to call something Liminal, it probably shouldn’t sound like it was assembled entirely in a straight line. Fortunately, Every Waking Moment seems aware of this and their
Liminal by Every Waking Moment Isn’t Chaos; It’s Controlled Instability Read More »
“Mother of Dawn” by Inception Of Eternity is the kind of track that doesn’t so much start as it arrives, like it’s been looming just offstage for several thousand years waiting for the right moment to make things everyone’s problem. Within seconds, you’re hit with this wall of orchestration that feels less like a band
“Anodyne” opens with the kind of quiet, tentative confidence that suggests either deep artistic intent or someone sitting alone in a room thinking, “Alright, I guess I’m doing all of this myself now.” In this case, it’s both. Satsuma, the solo project of Edinburgh multi-instrumentalist Cam Halkerston isn’t just DIY in the vague, aesthetic sense.
“Anodyne” Doesn’t Arrive Polished and Market-Tested Read More »
“Joe Grah returns with a track that feels like a physical release of tension coiling since the first second.” The air in the room shifts the moment the opening notes of Joe Grah and his new single Far begin to swell because there is a weight to the silence that precedes it which feels like
A Haunting Reclamation of the Alternative Rock Throne Read More »
There are songs that ease you in gently, maybe give you a hook, a vibe, something you can latch onto before realizing what they’re about. And then there are songs like “Standing In A Robe” by Garrett Anthony Rice, which kicks the door open, points at history’s worst people, gestures broadly at your personal life,
There’s a particular kind of song that doesn’t just want to sound good; it wants to gently sit you down, hand you a cup of tea, and have a conversation about your life choices. Not in an aggressive, “change everything immediately” way, but more like: hey, have you considered listening to yourself for once? “Following
“Following a Voice Inside” Wants to Say Something Read More »
There’s something so chic and refreshing when raps takes a step back against sexist, outdated narratives against women’s autonomy and hustle. JNabe’s Respect Her Bag definitely leans into that kind of perspective shift, where women’s work isn’t debated but acknowledged. Hailing from Kansas City, United States, JNabe is a half-Japanese, half-Vietnamese musician currently making waves
JNabe’s “Respect Her Bag” Is What Happens When Rap Chooses Respect Over Judgment Read More »