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EP Review

THROES NYC’s “The Wires Out” Is Made for Nights When You Feel a Little Reckless

You just got to love it when EPs are named exactly like how it sounds. THROES NYC’s The Wires Out is pretty much that—everything is exposed, buzzing, sparking, and maybe one bad decision away from catching fire. THROES NYC is the brainchild of Queens, NY natives Michael Bozzo and Courtney Leo, who have been making […]

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Floyds Row’s The Carlisle Sessions Finds New Life in Old Folk Songs

Floyds Row’s The Carlisle Sessions is a five-track EP that digs through old folk material and gives it a fresh coat of paint without pretending the past needs to be perfectly recreated. The group, formed out of collaborations at the University of Oxford, approaches traditional music less like a museum exhibit and more like a

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Realest$Gold’s R.A.P Shows One Artist Finding Her Voice on Four Tracks

R.A.P.by Realest$Gold offers a glimpse of an artist finding her voice across four tracks Art is never one to dictate the rules and it doesn’t tell us that to grow we need to start changing our sound entirely, run to a different studio or declare we have reached a ‘new era’. For Realest$Gold’s four-track EP,

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Black Silver’s Void Where Inhibited Finds Freedom in the Fine Prints

You’d have to have an extreme level of self-confidence to name your EP Void Where Inhibited. It sounds less like a rap title and more like the sentence at the bottom of a contract that you were absolutely supposed to read before signing. Which in fairness, makes it a pretty good name for a project

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DownTown Mystic’s ‘Mystic Highway Road Trip’ Disproves Classic Rock Isn’t Running On Nostalgia Alone

Rock music has a unique relationship with nostalgia. It feels like every few years, there’s an announcement that “real rock is back”. More often than not though, the revival only amounts to reheated riffs, vintage guitars, and a constellation of influential names worn on the sleeve so proudly that they all start to blend together

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The Boldest Act in Music Today Isn’t Writing Four Songs According to “Next Time (I Won’t Be Falling)” EP

Streaming has birthed an odd kind of musical inflation. Albums are deluxe editions. Deluxe editions become “complete” editions. Singles include five mixes that are only discernibly different if you possess the hearing of a bat or the patience of a saint. Somewhere along the line, we became conditioned to believe that quantity was an acceptable

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4fro Nick’s Release Will Come as a Welcome Sound of Authenticity; a Set of Two Songs That Have the Patience to Be Heard

Let’s be honest, there’s a specific type of musician out there who genuinely sounds like they believe rock and roll has all the answers to the world’s problems. But I don’t mean the huge political, or economic kind of problems. We’re talking about more personal ones. The sort of problems that involve regret, wasted time,

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War Torn Walks a Very Fine Line Between Genuine Purpose and Overwhelming Intent

There’s a very specific kind of project that doesn’t just want you to listen to it; it wants you to understand it first. Like, really understand it. Read the documents, absorb the mission statement, maybe reflect on the global state of humanity for a minute, and then press play. War Torn, the debut EP from

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Tár’s Dancing on the Event Horizon Is Four Tracks of Beautifully Managed Atmospheric Collapse

There is something deeply comforting about a band that knows exactly what emotional weather they want to trap you inside. Not tell you about. Not politely gesture toward. Trap you inside. Tár’s Dancing on the Event Horizon is four tracks of beautifully managed atmospheric collapse, a record that seems less interested in introducing itself than

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