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CIRCA 99 Blends Psychedelic Pop and Electro Funk on Debut Album LOST IN SPACE

CIRCA 99’s debut album Lost In Space is the kind of record you’d imagine being made by someone in a bedroom studio with way too much free time and not nearly enough self-control over cool sounds once they’re discovered. With over 10 tracks, the album weaves elements of psychedelic pop, electro-funk, synth-heavy production and ambient

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Arii Lopez’s “Undecided” Is About the Significantly More Realistic Alternative

Being in your twenties is basically an extended software update that never finishes installing. You think you have a plan, then life introduces a new problem, a new person, a new bill, or simply the horrifying realization that everyone else also has no idea what they’re doing. Arii Lopez’s “undecided” understands that having absolutely no

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Shelita’s “Open to You” Makes a Case for Emotional Vulnerability Being Worth the Risk

Romance is a deeply embarrassing activity. You spend years developing emotional defenses, learning boundaries, becoming independent and generally convincing yourself that you are a fully functioning autonomous human being and then somebody smiles at you in the right way and suddenly you’re reconsidering the entire architecture. Shelita’s “Open To You” is about that catastrophic administrative

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Annika Bellamy Spins a Daydream of Sunshine Drenched Romantic Escapism on “That’s What I’m Thinking”

Annika Bellamy’s “That’s What I’m Thinking” isn’t much more than an audible day-dream, with the notable distinction being that Bellamy makes it sound like the best damn thing on earth. It takes a profoundly mundane experience -being unable to stop thinking of somebody- and essentially asks: “What if we just go with it?” The answer is

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Miss Verona Turns Toxic Attraction Into Dance Pop Fun With “Bad for My Reputation”

Let’s be honest: there’s something knowingly fun about something that admits you’re about to make a bad decision and then sets out to make that decision sound absolutely irresistible. Miss Verona’s “Bad For My Reputation” fully commits to that contradiction, morphing betrayal, temptation and otherwise unadvised romantic entanglements into a glossy, dance-driven pop record. The

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THROES NYC’s “The Wires Out” Is Made for Nights When You Feel a Little Reckless

You just got to love it when EPs are named exactly like how it sounds. THROES NYC’s The Wires Out is pretty much that—everything is exposed, buzzing, sparking, and maybe one bad decision away from catching fire. THROES NYC is the brainchild of Queens, NY natives Michael Bozzo and Courtney Leo, who have been making

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Stefanie Michaela Finds a Sense of Liberation in Smaller Victories With “Carefree”

Some pop songs are made to be danced to. Other songs are made to be contemplated. Stefanie Michaela achieves a perfect synthesis with ‘Carefree’. Its ultimate success is a sense of liberation found not at the end of impossible striving for perfection but through recognizing the value of simply being present. It could hardly be

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Alexa Kate Turns Emotional Ruin Into Pure Gold on ‘The Aftermath’

Late night quiet brings a specific clarity that Alexa Kate transforms into brilliant emotional art on her stunning release The Aftermath. The track opens on a delicate strumming pattern in a sleepy New York City apartment setting that feels like eavesdropping on a secret confession spoken under hushed breath. She handles the weight of emotional self-sabotage with

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Toxic Boyfriend By Angele Lapp: A High-Voltage Evolution of the Breakup Anthem

The scent of cheap cologne and the weight of a heavy silence usually define the end of a bad romance but Angele Lapp decides to torch that entire cliché with her new single Toxic Boyfriend. Instead of retreating into the usual muted acoustic heartbreak she opts for a high-voltage reclamation of space that feels like

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The Boldest Act in Music Today Isn’t Writing Four Songs According to “Next Time (I Won’t Be Falling)” EP

Streaming has birthed an odd kind of musical inflation. Albums are deluxe editions. Deluxe editions become “complete” editions. Singles include five mixes that are only discernibly different if you possess the hearing of a bat or the patience of a saint. Somewhere along the line, we became conditioned to believe that quantity was an acceptable

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