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2026

4fro Nick’s Release Will Come as a Welcome Sound of Authenticity; a Set of Two Songs That Have the Patience to Be Heard

Let’s be honest, there’s a specific type of musician out there who genuinely sounds like they believe rock and roll has all the answers to the world’s problems. But I don’t mean the huge political, or economic kind of problems. We’re talking about more personal ones. The sort of problems that involve regret, wasted time, […]

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Nick Pappalardo’s “When I’m With You” Is the Feeling

There is something deeply funny and unexpectedly charming about releasing a song called “When I’m With You” in 2026 and managing to make it feel neither ironic nor exhausted. Because let’s be honest: this is one of the oldest titles in the history of songwriting. Entire civilizations have probably written some variation of when I

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“Down the West Coast” Is the Kind of Song That Makes You Want to Roll the Windows Down

It takes a very specific kind of confidence required to release a song that sounds this unapologetically in love with the late 1960s, not because nostalgia is inherently a problem, but because once you start reaching for sun-warmed acoustic guitars, stacked harmonies, and enough analog texture to make listeners instinctively wonder whether they’ve accidentally found

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What Makes Reetoxa’s “Love Keeps Burning Still” Ultimately Compelling Is That It Is Mature

There are break-up songs; but there are also songs from the other side of the wreckage. There’s a difference, and that difference is significant. A lot of hurt songs are in the middle of a tantrum. They’re immediate and urgent and dramatic and have somebody wailing in the rain, staring out a window, or being

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X-Anonymous Reclaims Identity Through the Grinding Industrial Fire of “Claim It All”

Masks offer a profound sense of freedom and X-Anonymous understands that better than almost anyone in the current underground circuit. Their latest offering Claim It All rips through the silence with a hunger that feels remarkably earned and fiercely independent. This track is not really about vanity because the Metalcore collective has chosen to let

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Dalinda’s “The Nile” Is Love, Loss, and Everything In Between

There are songs you can imagine the moment someone explains them. Then there are songs like Dalinda’s The Nile that just demand you experience them. I mean, calling it melancholic indie-pop with dreamy vocals and cinematic textures is technically accurate, but that alone doesn’t come close to what you’re about to hear. The track begins

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“Etched in Love” Doesn’t Just Talk About Heartbreak, It Shows You What It Feels Like

Something changes the moment Etched in Love plays because how can a song convince you that you’ve lived a moment you’ve never actually experienced? It just draws you in, and suddenly everything hurts a little bit more. Maryann Connolly is a 25-year-old actress, model, and singer who loves modeling and performing at New York and

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Tides Will Turn Is Great Because It Embraces Something Many Contemporary Records Have Either Rejected or Simply Failed to Recognize; Authenticity Isn’t a Marketing Strategy

Every “Is Rock Dead?” article since 2004 has been wrong about people still making plenty of rock music, and Tides Will Turn‘s debut album is a wonderful example of this fact. But what is truly surprisingly rare, even now, is an album from an actual band that seems genuinely invested in the prospect of making

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Vancouver’s Tides Will Turn Resurrect the Snarl of Heritage Punk and Dark Americana

There is a smell of wet pavement and cheap beer that hangs over the best rock records and Tides Will Turn have bottled that exact humidity on their explosive track Home Wrecker. It feels like a midnight drive through the rain-slicked streets of Vancouver where the neon lights blur into a jagged streak of red and gold.

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