The House Flies are not the type of group to offer you music that just idles in the background. “Derelict Crawl,” the leadoff single to the band’s forthcoming second album Lions and Ore finds the Moline, IL trio leaning hard into a sense of claustrophobic, insistent repetition and guitars with something deeply unpleasant to say.
The House Flies Build Tension With “Derelict Crawl” Read More »
What if the person telling you the story isn’t the most trustworthy person in the room? That’s the delicious little trap at the center of “Have Much,” the new single from Wendy DuMond’s Bog Witch project. Built around betrayal, self-deception and the increasingly complicated gulf between what we know and what we want to believe,
Bog Witch’s “Have Much” Turns Betrayal Into a Beautiful Little Nightmare Read More »
You’d have to have an extreme level of self-confidence to name your EP Void Where Inhibited. It sounds less like a rap title and more like the sentence at the bottom of a contract that you were absolutely supposed to read before signing. Which in fairness, makes it a pretty good name for a project
Black Silver’s Void Where Inhibited Finds Freedom in the Fine Prints Read More »
Nobody remembers a band’s second EP the way they remember a debut. When introductions are over and novelty has worn off, where do they hide? Gunshots or Fireworks don’t. Instead, they let a single like Open Mic do all the talking, Arizona has long been home to bands that know how to make atmosphere feel
Gunshots or Fireworks’ “Open Mic” Runs on Arizona Alt-Rock DNA Read More »
Country music has never been shy about dabbling in outside genres, and to us, that’s part of what makes today’s landscape of country so exciting. Be it infectious pop melodies, booming hip hop beats, or head-banging rock aggression, modern country has found itself a comfortable middle ground while retaining the relatable, storytelling roots that drew
Rock music has a unique relationship with nostalgia. It feels like every few years, there’s an announcement that “real rock is back”. More often than not though, the revival only amounts to reheated riffs, vintage guitars, and a constellation of influential names worn on the sleeve so proudly that they all start to blend together
There’s an authentic, honest flavour of Australian rock that appears unable to separate emotion from its environment. The road is more than just tarmac. The horizon isn’t merely a painted background. When one connects the enormous openness of the outback to the tumultuous interiors of the humans traversing it, songs such as Rob Fletcher’s ‘Hells
Rob Fletcher Faces the Impossible in Alt-Rock Masterpiece Hells Gate Read More »
Picture a neon-baked asphalt stretch cutting through a red dust horizon under twin moons. That is the immediate world conjured when independent artist 7Virus drops the pedal on Martian Night and lets a surge of turbocharged electric guitar riffs rip through the stillness. The opening thirty seconds hit like a shot of liquid adrenaline before
A High-Octane Cyberpunk Rock Rush That Blasts Off Into Pure Arena Euphoria Read More »
There is something refreshingly subversive about creating an album that resists all conventions of contemporary music. Not the obnoxious, leather-jacket kind of rebellious, nor the “rock is coming back!” marketing pitch every label apparently has to trot out every six months. Home, the debut record by motko is rebellious because it trusts that you will
motko Makes an Album for People Who Still Listen to Albums Read More »
In just a few years, TikTok has transformed from a short-form video platform into one of the most influential forces in the global music industry. What was once primarily a social media app is now a powerful tool for music discovery, helping emerging artists reach millions of listeners and giving older songs a second life.
How TikTok Continues to Influence Music Discovery in 2026 Read More »