There’s a very specific kind of gamble in releasing a live EP when you’ve been a band for over twenty years, and it’s this: you are effectively saying, “Alright, no tricks now. This is what we actually sound like.” No studio safety net, no post-production wizardry smoothing over the edges; just a room, some microphones, […]
Once in a while, you’ll come across a track like LiMaVii’s New World 33. The one that feels dreamy, not distant, not fleeting, but in a way that goes beyond what you hear. LiMaVii is a singer, songwriter, and spiritual healer from the coastal city of Gdynia, Poland. Now, she’s back with New World 33
LiMaVii’s “New World 33” Feels Like Entering A New Frequency Read More »
The word Liminal is the kind of word that immediately suggests atmosphere, thresholds, in-betweens, emotional states that don’t quite resolve. It also quietly sets expectations: if you’re going to call something Liminal, it probably shouldn’t sound like it was assembled entirely in a straight line. Fortunately, Every Waking Moment seems aware of this and their
Liminal by Every Waking Moment Isn’t Chaos; It’s Controlled Instability Read More »
“Mother of Dawn” by Inception Of Eternity is the kind of track that doesn’t so much start as it arrives, like it’s been looming just offstage for several thousand years waiting for the right moment to make things everyone’s problem. Within seconds, you’re hit with this wall of orchestration that feels less like a band
“Anodyne” opens with the kind of quiet, tentative confidence that suggests either deep artistic intent or someone sitting alone in a room thinking, “Alright, I guess I’m doing all of this myself now.” In this case, it’s both. Satsuma, the solo project of Edinburgh multi-instrumentalist Cam Halkerston isn’t just DIY in the vague, aesthetic sense.
“Anodyne” Doesn’t Arrive Polished and Market-Tested Read More »
There are songs that ease you in gently, maybe give you a hook, a vibe, something you can latch onto before realizing what they’re about. And then there are songs like “Standing In A Robe” by Garrett Anthony Rice, which kicks the door open, points at history’s worst people, gestures broadly at your personal life,
There’s a particular kind of song that doesn’t just want to sound good; it wants to gently sit you down, hand you a cup of tea, and have a conversation about your life choices. Not in an aggressive, “change everything immediately” way, but more like: hey, have you considered listening to yourself for once? “Following
“Following a Voice Inside” Wants to Say Something Read More »
There’s something so chic and refreshing when raps takes a step back against sexist, outdated narratives against women’s autonomy and hustle. JNabe’s Respect Her Bag definitely leans into that kind of perspective shift, where women’s work isn’t debated but acknowledged. Hailing from Kansas City, United States, JNabe is a half-Japanese, half-Vietnamese musician currently making waves
JNabe’s “Respect Her Bag” Is What Happens When Rap Chooses Respect Over Judgment Read More »
Kelsie Kimberlin’s latest track, which is framed around the idea that America is under threat from authoritarian forces, is very much operating in a level of unparalleled seriousness. This is not a “you can interpret it however you want” situation. The message is clear, direct and delivered with the kind of urgency that suggests subtlety
Kurt Bray has been working on this album since 2021 which means it’s been in the works for half of the decade and instead of sounding overcooked, it ends up feeling like a scrapbook of where he’s been musically: rock, grunge, indie, alternative. If that sounds like a suspiciously vague cluster of genres, don’t worry
