EP REVIEWS LATEST EP Review International New Music Tár’s Dancing on the Event Horizon Is Four Tracks of Beautifully Managed Atmospheric Collapse Ian Ureta May 19, 2026 0 EP Review International New Music Mark Moule’s Only Love Feels Patient Ian Ureta May 11, 2026 0 EP Review International New Music Psyche Works Because It Doesn’t Pretend to Have Everything Figured Out Ian Ureta April 28, 2026 0 EP Review International New Music Live From the Attic EP Is Effectively Saying “Alright, No Tricks Now. This Is What We Actually Sound Like.” Ian Ureta April 28, 2026 0 EP Review International New Music “Anodyne” Doesn’t Arrive Polished and Market-Tested Ian Ureta April 24, 2026 0 EP Review International New Music Protected: War Torn Walks a Very Fine Line Between Genuine Purpose and Overwhelming Intent Ian Ureta April 12, 2026 0 EP Review International New Music The Beauty of Danger Builds This Collage of Thoughts About Freedom, Identity, and Modern Life Ian Ureta April 3, 2026 0 EP Review International New Music Loyalty & Respect Focuses on Doing the Fundamentals Really Well; Solid Production, Clear Themes, and Performances That Understand Exactly What Kind of Project They’re On Ian Ureta March 30, 2026 0 EP Review International New Music If Auntie EP Is the Drought Breaking, It’s Not a Drizzle; If Anything, It’s a Storm Ian Ureta February 25, 2026 0 EP Review International New Music Terror Terror’s “Made of Parts” Is the Raw, Fresh Awakening 2026 Needs Ervin Besana February 18, 2026 0 EP Review International New Music Neon Silence EP Feels Careful. Thoughtful. Almost Shy Ian Ureta February 15, 2026 0 EP Review International New Music Cage of Water [Remixes] Doesn’t Beg for Your Attention; It Just Pulls You Under and Lets the Pressure Do the Talking Ian Ureta January 20, 2026 0 EP Review International New Music An Exception Is the Sound of Someone Circling Their Own Obsessions, Refining Them, and Occasionally Setting Them on Fire Just to See What Survives Ian Ureta January 9, 2026 0 EP Review International New Music Terrell Journey’s “A Journey Digital Christmas Vol 1” Isn’t Here To Fake The Holidays Ada May Sacil December 26, 2025 0 EP Review International New Music At Its Core, Real Shadows Is a Song-First Project Ian Ureta December 20, 2025 1 EP Review International New Music Destiny Imani’s EP, ‘Wishful Thinking’ is R&B Laced with Passion Ervin Besana December 7, 2025 0 EP Review International New Music There’s a Scrappy Charm Across Cataloge 1, but There’s Also Intent Ian Ureta December 4, 2025 0 EP Review International New Music neptune blood’s “A Quiet Riot Inside” feels like a memory and a real-time scene Ada May Sacil November 28, 2025 0 EP Review International New Music DownTown Mystic’s “Mystic Highway” Is Fully Revved Up Classic Rock N’ Roll With Modern Bite Ada May Sacil November 25, 2025 0 EP Review International New Music Red Skies Dawning’s “From Ashes” Burns With Lived-In Rage And Resilience Ada May Sacil November 20, 2025 0 EP Review International New Music The “Missing Out” EP by Otinshh Is the Maverick of Today Ervin Besana November 14, 2025 0 EP Review International New Music For All Its Screaming, Distortion, and Collected Chaos, More Than It Leaves You With Is Not an EP About Despair; It’s About What’s Left After It Ian Ureta November 9, 2025 0 EP Review International New Music The Sad Season Bring Back the Raw Heart of Rock on “It’s All Too Loud in Here” Ada May Sacil November 8, 2025 0 EP Review International New Music “Live at the George Tavern”: A Reminder That the Most Exciting Thing About Music Is When It’s Happening Right Now Ian Ureta November 8, 2025 0 EP Review International New Music Future Magic and Voxx Use Electronic Sound Not as Armor but as Exposure on Collisions Ian Ureta November 8, 2025 0 EP Review International New Music Reconnection EP Is a Small, Four-Song EP That Feels Like Someone Coming Back to Life in Slow Motion Ian Ureta November 2, 2025 0 EP Review International New Music WAIN’s Still Colorful Isn’t the Sound of an Artist Finding His Voice; It’s the Sound of One Trusting It Ian Ureta October 20, 2025 0 EP Review International New Music Ratyński’s “Surprise Stopover” Moves Between Strings and Silence Ada May Sacil October 4, 2025 0 EP Review International New Music The Charm of Dan Rose’s To the Bitter End Lies in the Way It Refuses to Smooth Over Imperfections Ian Ureta October 4, 2025 0 EP Review International New Music On EP2, Loser Demon Are Showing You the Sparks as They Hammer Their Sound Into Shape Ian Ureta October 2, 2025 0 EP Review International New Music The “Just Silence” EP Is a Gift from Barbonus to Us Ervin Besana September 23, 2025 0 EP Review International New Music Sarina’s “The Fool” Is Breaking, Burning, and Becoming All At Once Ada May Sacil September 22, 2025 0 EP Review International New Music If Tim’s Solo Feels Fragmented, That’s Because It’s Supposed To Ian Ureta September 10, 2025 0 EP Review International New Music What Makes “The Dawn” By Lloyd’s Money Stand Out Is It’s Not Trying To Ada May Sacil September 7, 2025 0 EP Review International New Music Skip Overcrowded Clubs for a Dance Hall Nostalgia with The New Citizen Kane’s “CAUSING A COMMOTION” Ada May Sacil September 5, 2025 0 EP Review International New Music Throughout a Different Kind, Social Gravy Pulls Off a Pretty Remarkable Trick Ian Ureta August 31, 2025 0 EP Review International New Music Captain Mantis Makes A Significant Mark With “Vice Market” Kate Clarice Lee August 16, 2025 0 EP Review International New Music Ghost of Panama’s “Astral Days and Spectral Letter” is a Sonic Montage of Global Isolation Ada May Sacil August 13, 2025 0 EP Review International New Music Wingfish Offers Something Different on Looking Forward Ian Ureta August 8, 2025 0 EP Review International New Music Michellar’s “My Alma Latina” Is Another Level Of Introspection Kate Clarice Lee August 5, 2025 0 EP Review International New Music “Sun to Rise EP” Is Stephen Foster’s Take On Calming Yet Haunting Tunes Kate Clarice Lee August 2, 2025 0 EP Review International New Music Kyle Waves Sends You Straight Into Euphoria with Pop-Centric EP “Signals” Ada May Sacil July 25, 2025 0 EP Review International New Music Give prdr’s malice of chance and time a spin if you love ‘90s prog-rock and 2000s alt-rock Ada May Sacil July 24, 2025 0 EP Review International New Music Get back in your element with Maijah’s Sinking/Floating made for the iconic bedrot baddies Ada May Sacil July 18, 2025 0 EP Review International New Music Evan Zorn Von Berg’s “Return” is a Sublime Collision of Sound and Emotion Ada May Sacil July 14, 2025 0 EP Review International New Music EGO by Winterblind doesn’t ask for your attention; it demands it, unapologetically and with a solo Ian Ureta July 13, 2025 0 EP Review International New Music Flora Lin’s “Fauna” Is Beautifully Conceptualized Kate Clarice Lee July 10, 2025 0 EP Review International New Music May: 21–26 by Evan de Roeper isn’t here to save you, and it’s not pretending it can Ian Ureta July 5, 2025 0 EP Review International New Music What makes Time & Space by P-Rawb & Big O stick isn’t just polish; it’s how lived-in it feels Ian Ureta June 30, 2025 0 EP Review International New Music Microclimbs by gnomes is Small, Weird, and Painfully Sincere Ian Ureta June 28, 2025 0 EP Review International New Music Take Saturn Return’s “no strings” At Face Value Kate Clarice Lee June 28, 2025 0 EP Review International New Music DYSBANDED is back with no skip, no filter The Wilcox Demos Ada May Sacil June 24, 2025 0 EP Review International New Music Dream Bodies is back with emotionally gripping curation of tracks Circle of Light Ada May Sacil June 21, 2025 0 EP Review International New Music Morena by Alex Forte demands your attention and earns every second Ian Ureta June 17, 2025 0 EP Review International New Music Experience A New Fusion In “We Are All Bots” by Andrea Pizzo And The Purple Mice Kate Clarice Lee June 17, 2025 0 EP Review International New Music If you’ve ever stared out a rainy window and thought about your relationship with your dad, Camino by Plàsi is the EP for you Ian Ureta June 16, 2025 0 EP Review International New Music We Are All Bots by Andrea Pizzo and the Purple Mice is a glimpse of a hyper-tech future Ada May Sacil June 15, 2025 0 EP Review International New Music El Camino An EP by The Nghiems Alte Magazine June 13, 2025 0 EP Review International New Music Is “Everything’s Good, Everything’s Fine” by Birds With Arms Just One Big Paradox? Kate Clarice Lee June 8, 2025 0 EP Review International New Music Amgtask’s Pain In My Heart is not interested in making a quiet entrance; it’s here to hurt your feelings in hi-fi Ian Ureta June 7, 2025 0 EP Review International New Music We Can’t Get Enough Of Boy Maj’s “Premium Vibes Vol. 1” Kate Clarice Lee June 7, 2025 0 EP Review International New Music God Fearing Man by Adam Atom is a document of change, a mid-step in a longer walk Ian Ureta June 7, 2025 0 EP Review International New Music And in a world where everyone’s screaming for your attention, Gord by Alex McCulloch feels like a miracle Ian Ureta June 7, 2025 0 EP Review International New Music The final boss doesn’t stand a chance against Game Boy by YME Ian Ureta June 4, 2025 0 EP Review International New Music The Sound Of “Paradox Room” by ARPRAXIS Is Not What It Seems Kate Clarice Lee June 3, 2025 1 EP Review International New Music The Beautification Of Noise, As Seen On Fogchild’s “Future Republican President” Kate Clarice Lee May 31, 2025 0 EP Review International New Music Pompeya serves dance floor-ready blends of retro aesthetics and modern flair with their newest EP “Awesome” Ada May Sacil May 28, 2025 0 EP Review International New Music Risk 2 Self by Riskaverse is a hidden gem that deserves a spot in your indie pop punk playlist Ada May Sacil May 23, 2025 0 FEATURED New Music Track Review A Tectonic Shift in Independent Metal That Refuses To Play Nice Alte Magazine May 22, 2026 0 New Music Track Review A Frantic and Flawless Transmission From the Emotional Bunker Alte Magazine May 20, 2026 0 New Music Track Review A RIOT IN A BOTTLE: UNB4RRED REDEFINE THE ALT-ROCK GUT-PUNCH Alte Magazine May 20, 2026 0 New Music Track Review A Glacial Masterwork of Progressive Restraint Alte Magazine May 20, 2026 0 International New Music Track Review Protected: Nick Pappalardo’s “When I’m With You” Is the Feeling Ian Ureta May 19, 2026 0 International New Music Track Review Reetoxa’s The Lisa Song Understands Scale Ian Ureta May 18, 2026 0 International New Music Track Review Empires by svndaypack Unfolds With a Kind of Calm Emotional Precision Ian Ureta May 18, 2026 0 New Music Track Review Fight the Fall Unleashes a Cinematic Rock Anthem That Hits Like a Tidal Wave Alte Magazine May 18, 2026 0 International New Music Track Review “Trapped (I’m Doing Fine)” By C’batch Feels Like Weariness Riding the Groove Ada May Sacil May 16, 2026 0 New Music Track Review Fretboard Fireworks From Belgrade: Ikad! Solve the Math Rock Equation With Joy Alte Magazine May 15, 2026 0 New Music Track Review The Humid Geometry of Growing Up Alte Magazine May 11, 2026 0 International New Music Track Review “On Vancouver Island” Is Less About Perfection and More About Honesty Ian Ureta May 7, 2026 0 MORE REVIEWS Album Review International New Music The Vault 2 By C’batch Asks For Time—And Gives More Back The Longer You Stay With It May 21, 2026 Album Review International New Music Liminal by Every Waking Moment Isn’t Chaos; It’s Controlled Instability April 26, 2026 Album Review International New Music Only Time Will Tell Ends Up Being Less About Answering Big Questions and More About Sitting With Them April 16, 2026 Album Review International New Music Protected: A Voice And A Guitar Are All It Takes To Feel Again and Connie Lansberg’s “Aeroplane” Proves It April 16, 2026 Album Review International New Music “In Spirit” Is an Album That Feels Less Like a Straightforward Listening Experience and More Like a Guided Something April 6, 2026 Album Review International New Music Peasants of the Show Is a Solid, Well Crafted Guitar Record That Pulls From a Deep Well of Influence and Turns It Into Something That Feels Immediate and Alive April 5, 2026
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