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New Music

The “Missing Out” EP by Otinshh Is the Maverick of Today

In the vast majority of music being released on a day-to-day basis, sometimes we tend to be drowned by how songs sound the same. There are times that you have to really dig deep, get out of Spotify just to find that alternative just to clear your musical palette, but worry no more, Otinshh’s latest […]

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Scott’s Tees’ Newest Single, “We Move as Fast as Storms Allow,” Is Simplicity in Its Most Effective Form

With technology being at its peak, it’s fair to say that we don’t have an excuse anymore with song production. Anyone, as long as they have the will to learn, can become a great producer. The downside of that is that we tend to over-produce everything. Scott’s Tees‘ newest track, ‘We Move As Fast As

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La Need Machine’s Latest Track, “Rock and Roll Show,” Is a Prime Example of Serving the Song

In a world where complicated riffs, over-the-top production values are at their highest peak, La Need Machine decided to take us back to the days of just pure rawness and grit in music. Join me as I discuss their newest track, ‘Rock and Roll Show,’ and understand why this is a great reminder to slow

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The Bateleurs Aren’t Just Standing in the Fire; They’re Learning to Sculpt With It

There’s a certain swagger that only comes from a band that’s been through hell, scraped themselves back together, and then decided the flames might as well be repurposed as stage lighting. A Light in the Darkness, the second full-length from Lisbon’s The Bateleurs, is that swagger weaponized. Not self-destructive, not nostalgic, but sharpened into something

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Dirt Preachers Union’s Cover Single “Flowers” Blooms With Classic Rock’s Grit and Groove

There are two types of rock your father plays at the backyard on a Sunday: one that will make you say, “I hope he never plays it again,” and the one that will make you sing along before you even know the lyrics. The newest cover single from Dirt Preachers Union “Flowers” lands on the

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For I The Badger’s “All Hail” Is A Protest Disguised As A Banger

Some songs are bangers, while some speak truth. But For I The Badger delivers both, and they’re not here to be polite. With “All Hail”, they drag forty years of political lies and betrayal through a raw fusion of punk, funk, and soul. For I The Badger is a Lincoln-based band with Stuart Whelan on

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William Locks’ “If I could say” Holds Grief And Closure In One Breathe

When music is born out of something deeply personal, it feels like an invitation to watch someone’s ribcage being cut open — vulnerable, beating, and bleeding all at once. That’s how William Locks’ “If I could say” feels like, and it will surely leave a mark. William Locks, also known as songwriter Willem van der

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Aeons Isn’t Just Esprit D’Air’s Most Accomplished Album; It’s Their Manifesto

There’s something almost poetic about Aeons landing in a world that feels like it’s collapsing and rebooting every other week. Esprit D’Air; the eternally DIY, never-quiet, never-dead metal project has always sounded like it was forged in the middle of an existential crisis, but this time, the crisis feels mutual. Where Oceans (2022) and Seasons

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Luke Pacuk’s 1983 Is Less a Nostalgia Trip Than a Reckoning

Luke Pacuk’s 1983 isn’t just another artist raiding the thrift shop of eighties nostalgia. If anything, it’s a full-scale reconstruction project. This record doesn’t merely wear its influences on its sleeve; it embalms them, reanimates them, and sends them staggering into the modern world with unnerving confidence. The result sounds less like a retro pastiche

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Elion Melody’s “Engraved Onto Infinity” Delivers Everything Its Name Promises

It makes a difference when an artist wants you to feel something instead of just shoving their sound at your ears for streams and plays. Elion Melody’s “Engraved Onto Infinity” does exactly that, inviting you to sit with his curation that feels like a love letter showcasing his suave confidence and vulnerability. Originating from the

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