There’s an unspoken rule in the music industry that everyone just sort of accepts: never release live versions of songs that don’t already exist in studio form. You’re supposed to be sensible. Methodical. You record, you mix, you master; you remove all the dangerous edges before letting anyone actually hear you. CAN’T STOP TALKING clearly […]
There’s something so intriguing when you name an album “Go Tell the Bees”. Like, excuse me, are we really talking to bees now? No — but close. So you listened to the album and realized Bastion’s Wake is onto something great, the kind that cannot be replicated by some AI or any formulaic pursuit to
There’s a particular kind of electronic music that sounds less like it was written and more like it was exorcised. Collisions by Future Magic & Robert Voxx is that kind of record; the kind that doesn’t arrive to make a scene, but to make sense of one. It’s five tracks of emotional detonation disguised as
Future Magic and Voxx Use Electronic Sound Not as Armor but as Exposure on Collisions Read More »
There’s a certain kind of bravery in writing a song like “Fly Away” It’s not the loud, triumphant kind you see in movie montages; it’s quieter, lonelier, and far more honest. This is a song about grief, but more than that, it’s about surviving it. Shy-Anne Hovorka, an award-winning songwriter and educator from northern Ontario,
There’s a Certain Kind of Bravery in Writing a Song Like “Fly Away” Read More »
There’s something quietly rebellious about an album like Pertinax. Suris, composed of the duo of Lindsey and David Mackie, have decided to make something defiantly sincere. It’s the sound of two people who have been doing this long enough to know better, but went ahead and did it anyway. “Pertinax” literally means “resolute,” which is
On Pertinax, Suris Are Out Here Writing Songs About Feeling Too Much Read More »
There’s something charmingly audacious about an artist calling their project Epic Scales. It’s like naming your first novel Profound Literature; it’s a title that either crashes under its own weight or earns the hell out of it. Luckily for Samuel Yuri, his album does the latter. Across five tracks, this Brazilian composer, guitarist, and DIY
There’s nothing like a song that cuts you open then heals and stitches you back together, the kind where tension and resilience coexist in the same rhythm and note. For today’s rare cuts, Pentrilox steps in with Wasteland Whispers, a cathartic single to confront your demons and emerge with a strength that is earned and
Emerge With A Strength That’s Earned And Lived With “Wasteland Whispers” by Pentrilox Read More »
If okay(K) presents: Modest Tyler proves anything, it’s that okay(K) is less interested in fitting into a scene and more interested in seeing what happens when e dissolves one. His new project sounds like what would happen if Young Thug and/or Lil Yachty decided to front Silent Alarm-era Bloc Party; an unlikely fusion of yearning
okay(K) Presents: Modest Tyler Is an Experiment in Sincerity Read More »
There’s something inherently ambitious about The Mysterons, the kind of album that could only be made by someone who’s spent years living inside both their record collection and their imagination. Devon-based artist Ollie K’s latest project isn’t just a record; it’s an experience, a transmission from a parallel universe where Captain Scarlet, MF DOOM, and
Ollie K’s The Mysterons Is a Time Capsule From the Future Read More »
At this point, it’s hard to tell whether Robert Allen, a.k.a. DownTown Mystic, is making rock music or conducting a long-running experiment to prove that sincerity never actually went out of style. His new track, “Somebody’s Always Doin’ Something 2 Somebody,” feels like the sound of someone who still believes guitars can tell the truth,
