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Track Review

Love Isn’t A Fleeting Moment in TaniA Kyllikki’s “I Promise I’ll Wait For You”

Love is often painted as something perfect, something superficial and unreal. But TaniA Kyllikki isn’t here to do the same. With her latest single “I Promise I’ll Wait For You”, she dissects its depth, declaring her love into something raw and undeniably human. British singer-songwriter TaniA Kyllikki is a passionate independent rising artist making waves […]

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Micki XO’s “Power Outage” Hums Like It’s Running on the Last Bit of Battery Life but Refusing to Shut Down

If burnout had a soundtrack, it wouldn’t sound like a funeral dirge. Rather, it’d sound more like Micki XO’s “Power Outage”, and I mean that in the best way possible. It’s a song about being completely fried, stretched thin, and ready to collapse, but instead of quietly falling apart, it chooses to dance on the

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Transgalactica’s Track, “The Great Escape: Famine,” Is the Alternative That We Need

Artists nowadays write lyrics that tend to trend quickly. Examples of that are topics of love, relationships, and being broken. Transgalactica decided to move away from that same sway and become the voice of reason that we need to hear today. ‘The Great Escape: Famine‘ started with this classical/minor egyptian scale keyboard alongside this bassy

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“This Is What Love Can Feel Like” Moves With the Weird, Non-Linear Logic of Memory

Scott Walker’s “This Is What Love Can Feel Like” is an earnest, unguarded meditation on what happens after the chaos, when you’ve crawled through the emotional wreckage and decided to risk feeling again. And that, in a pop culture landscape powered by irony and detachment, feels practically rebellious. Scott Walker, who somehow juggles being an

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Social Gravy’s Newest Track, “Fools,” Is Truth in Its Honest Form

Music has and will always be a protest. Whether you like it or not, opinions are much clearer when laid down with a melody and drums. Social Gravy’s track, “Fools,” is a prime example of that. Let’s break down this re-released track that was originally release almost a decade ago in 2016, and understand why

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Dan Gober’s “My October Rose” Is Love Straight Out Of A Vinyl Record

There are songs that will make you say, “if this isn’t love, I don’t want it.” Today, that song is Dan Gober’s latest single, “My October Rose”, a record of love that isn’t fleeting or fickle, but something that doesn’t wilt and wither. With over 30 years of music catalog, Dan Gober is known for

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“You Are My Sunshine” Has Been Flattened by Decades of Forced Optimism; The7thGatekeeper Drags It Through the Dirt Just to Remind Us That Light Only Means Something if There’s Shadow to Measure It Against

Released on October 3rd, 2025, “You Are My Sunshine” by The7thGatekeeper isn’t a cover so much as a controlled demolition. The artist takes one of the most overexposed lullabies in American music; the kind of song you’ve heard in car commercials, war films, and your grandmother’s kitchen and tears it apart just to see what’s

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Kelsie Kimberlin’s “Dream of Peace” Stands Out in How It Fuses That Technical Polish With Raw, Humanitarian Urgency

Kelsie Kimberlin doesn’t just release music. Rather, she stages an act of global storytelling. Her latest single, “Dream of Peace,” arrives as both a sonic and visual statement and it feels like the culmination of a life spent chasing the elusive intersection of art, activism, and empathy. In lesser hands, a song with this title

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For a Debut, Red Skies Dawning’s “Shipwrecked” Is Impressively Self-Assured

Every so often, a band crawls out of its own wreckage and decides to rebuild; not with the cautious optimism of a reboot, but with the wild-eyed conviction of someone who’s stared down collapse and thought, “Right, let’s do that again, but louder.” That’s the energy pulsing through Red Skies Dawning’s debut single, “Shipwrecked.” The

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“Just a Kiss” Isn’t a Reinvention; It’s a Reminder That Pop Can Still Feel Mythic When It’s Done by Someone Who Believes in It

There’s something beautifully defiant about K-Syran’s new single, “JUST A KISS.” In a world where pop is often either too self-conscious or too cynical to feel anything, she dares to make a song that’s both effortlessly glamorous and completely sincere. It’s a track that doesn’t chase relevance; it stands in stilettos, tosses its hair, and

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