An Exception, released in January 2026 by alternative rock artist I Forget Myself is not the sound of someone trying to keep up with trends. It is the sound of someone circling their own obsessions, refining them, and occasionally setting them on fire just to see what survives. What immediately stands out about An Exception […]
There’s a certain kind of album that doesn’t try to win you over. It doesn’t do the big, glossy, “look how important I am” thing. It just kind of sits there, awkwardly, like someone in the corner of a party holding a drink and hoping you’ll come talk to them. Perhaps is very much that
The Whole Deal With Perhaps Is It Waits for You to Show Up Read More »
With how the music is evolving today, you get to miss the feeling of just enjoying the process of creating music. Nowadays, you have to have a flashy gimmick, have metaphoric lyrics, and all that pizazz, but Ping Machines’ track, ‘From 1 2 another,’ told us otherwise. “From 1 2 another” started with this bassy
Ping Machines’ Track, “From 1 2 Another,” Is All Fuzz and No Gimmick Read More »
There’s a familiar mythology attached to artists who return to music after decades away. The narrative usually demands a comeback story, complete with redemption arcs and triumphant rediscovery. REVERIE … FROM THEN TILL NOW resists that framing. Michellar’s album doesn’t sound like someone scrambling to reclaim lost time; it sounds like the work of someone
“Train to Nowhere” is the sort of song that immediately signals it is not here to be polite. This is not a holiday release meant to soundtrack gift-wrapping or half-remembered family arguments; it is a piece of music that wants to sit you down and quietly ask whether you’re actually okay. Framed as a journey
We are now in an age where everything is handed to us on a silver platter. We have AI and the internet to help us with almost anything, but Sabrina Nejmah’s newest single, ‘Don’t You Worry,’ is a track that even AI would never think of recommending. ‘Don’t You Worry’ started with this uplifting and
Sabrina Nejmah’s “Don’t You Worry” Is an Art AI Can’t and Won’t Touch Read More »
In my years of reviewing music, believe it or not, there is a safe and proven way to create and arrange music. But to break it down to its core and literally break the rules can be either awesomely good or terribly bad. Better to Sleep is a prime example of stripping music to its
Tony Lio’s “Better to Sleep” Is a Beautiful Dissonance Read More »
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Don’t you just love it when artists refuse to be subtle? They don’t ask for space. They either take it or make damn sure it’s theirs in the first place. That’s the exact energy of Lisa Jo’s “Lord of the Night”, and it honestly feels more like a mindset than a record. With over 30
Lisa Jo’s “Lord of the Night” Feels More Like A Mindset Than a Record Read More »
There are two kinds of nostalgia records. One kind treats the past like a museum exhibit: everything behind glass, perfectly preserved, spiritually dead. The other treats it like a toolbox; something you can reach into, grab a sound, and start building something new with it. The Unreasonables belongs firmly in the second camp. This is
What Makes the Unreasonables Work Is Not Nostalgia; It’s Intention Read More »
