Album Review

You’ll always know when an artist isn’t fixated on the idea of polish and perfection from the way their music resonates. Dee Dasher‘s Conscious Home belongs to those rare cuts, and if you’re the type who loves their music raw, genuine, and honest, then you’re in for a treat. Jim Thorpe-based artist Dee Dasher is […]

Jumping right into this record, this one’s perfect for those who criticize, those who mourn global systems, or for those who just enjoy indie music in general. “Fog” is a collection of niche-sounding songs that you could tie up with the world today, deeming it a poetic, real, and unfiltered album. If there’s one thing

So, here’s the situation: MEMENTO MORI, the debut album from Esbjerg-based artist L¥AN, isn’t just an album. It’s the soundtrack to a Psychedelic Horror Book they also wrote. Yes, really. On paper, that sounds pretentious. In practice? It’s surprisingly compelling. Recorded in a small apartment on what sounds like the barest of setups, MEMENTO MORI

Chris Portka has named his record The Album Everyone Wants. Which is a bold move. Most people don’t want any album at all. Most people want, I don’t know, a sandwich, or functioning public transit. But Portka is nothing if not audacious, and it fits: this is the most collaborative, ambitious, and frankly bafflingly sincere

Some albums arrive with a quiet confidence, and some storm into the room, waving their arms, demanding you listen. Jordan’s The Tunnel + The Light somehow does both. It isn’t shouting, but it radiates urgency, like someone leaning across the table at 2 a.m. to tell you a story they have to get out, because

Monach’s debut album is a project born from the wreckage of toxic relationships and the long shadow of mental health struggles, the record is an act of catharsis that manages to balance the intimacy of confession with the visceral charge of punk energy. It’s not a fresh-faced “here we are” but a bruised, oddly triumphant

I’ll admit: I didn’t expect to still be thinking about Lauren Ash’s music a couple months (has It really been that long?) after she dropped her first rock singles. At the time, “Cool Story, Bro” and “Dumpster Fire” seemed like interesting tracks that I knew I had to keep tabs on. So when news came

There’s something deeply funny about an album called Wish. Not “Dreams” or “Visions” or any other word you’d expect to be plastered across a Spotify mood playlist. Just Wish. Small. Scrappy. Half a thought. Which is exactly what makes Freidrich$’s debut so compelling: it refuses to dress itself up as anything bigger than it is.

After four years away, Mike Masser is back, and apparently the man didn’t spend that time crocheting or birdwatching. No, he made 5, an album that opens the door by kicking it clean off the hinges. This isn’t a polite return to the scene. It’s the kind of record that stomps into your living room,