If a song was recorded more for the feeling and authenticity than for perfection, it would’ve been A WOLF LIKE ME’s Driving With Lilly. You’ll get no spectacle, no unnecessary layers, only an embrace to imperfection that’s endlessly replayable. Aaron Reiter’s brainchild, A WOLF LIKE ME is back with the summer’s indie rock anthem Driving […]
LARJIMAR’s Metro Subterráneo is the sort of album that sounds like it should have been just another half-baked SoundCloud experiment. It’s the kind of thing you click on, hear a half-finished beat and some vague crooning, and never return to again. Instead, it lands as a surprisingly coherent, strangely hypnotic project. It takes Afrobeat grooves,
LARJIMAR’s Metro Subterráneo Understands That Melancholy Doesn’t Have to Be Suffocating Read More »
Days growing shorter, flowers withering away, and the warmth of summer fading slowly. This is how Michellar sings a farewell from one season to another with a stand-out track “September”. Recorded in San Francisco with final touches in Staffordshire, Michellar collaborated with Helen Walford to deliver an emotionally rich track for the inevitable unfolding of
Michellar’s “September” is a Soft Farewell to Changing Seasons Read More »
Do you ever wonder what happens when a musician perfectly executes an idea into an art? Like it just leaves you in awe, wondering how it’s possible to turn a mere idea into something so vast, grand, and epic? Codemachia’s Gladius Æternus is the exact manifestation of that. Gladius Æternus is more than an album,
Codemachia’s “Gladius Æternus” Is Not Just A Concept, It’s A Vision Read More »
Look, it’s rare that music manages to feel both intensely personal and universally relatable, but A Different Kind from Social Gravy? That’s exactly what it does in spades. This isn’t just an EP; it’s a journey that zigzags between the personal and the grand, the emotional fireworks and the quiet introspection, and it does it
Throughout a Different Kind, Social Gravy Pulls Off a Pretty Remarkable Trick Read More »
Only a few debut singles break free from the pressure to sound different or hand out all their flashy skills to grab attention. Lily Galin’s What’s your story is one of those few, something that makes you feel safe without that fixation to outperform everyone. Hailing from the heart of the music scene, Lily Galin
Lily Galin’s “What’s your story” Holds Your Unguarded Heart Gently Read More »
Most summer anthems are like fast food: they exist, they’re edible, you vaguely enjoy them in the moment, and then they vanish from memory about three songs later. CANTBUYDEEM’s “It’s Whenever”, on the other hand, feels like a drink someone actually made for you; shaken, not stirred, handed over with a wink. It’s confident without
There’s something incredibly funny about how rock music in 2025 manages to exist in two parallel universes. In one, you’ve got aging stadium acts still charging the price of a used car for a ticket, playing the same setlist they’ve been running since 1983. In the other, you’ve got a wave of bands trying to
Geoff Abraham Band’s When Love Is at the Root Is Just a Great Song; Plain and Simple Read More »
Some albums exist purely to be ignored. They fill playlists, soundtrack laundry cycles, and evaporate from memory the moment they end. 40, the new 11-track project from three-time World Entertainment Awards nominee Baby T, is not one of those albums. This is a record that refuses to be background noise. It’s not content with providing
Baby T’s 40 isn’t a record built for a season; it’s built to last Read More »
Every other week, some indie artist pops up declaring they’ve reinvented music with their laptop and a £10 mic from Gumtree. And usually, it’s fine. Charming, rough around the edges, occasionally surprising, but not exactly the stuff of revolutions. Then along comes Shu Lee, who actually means it. His second album Fusion Of Colours isn’t
