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September 2025

If Tim’s Solo Feels Fragmented, That’s Because It’s Supposed To

When Hayley Williams first put together what would eventually become Ego Death at a Bachelorette Party, it wasn’t really an “album” in the usual sense (or at least not yet). It was a jumble of ideas, fragments, moods; all these little pieces that didn’t add up to a polished, radio-ready sequence. Instead, it asked you […]

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Freidrich$ Isn’t Hiding Behind Style on Wish; He’s Letting It Crash Into His Own Awkward Sincerity

There’s something deeply funny about an album called Wish. Not “Dreams” or “Visions” or any other word you’d expect to be plastered across a Spotify mood playlist. Just Wish. Small. Scrappy. Half a thought. Which is exactly what makes Freidrich$’s debut so compelling: it refuses to dress itself up as anything bigger than it is.

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Proklaim’s “NOTHA 1 DOWN (MINI)” Isn’t Your Average Hip-Hop Track

You’ll always know if an artist loves thinking outside the box. That’s exactly how Proklaim created his latest single, NOTHA 1 DOWN (MINI). No sloppy, generic sound, only pure hip-hop born out of spontaneity and character. Recorded at Pen Pushaz Studios and engineered at Audio Art Namibia, Proklaim recorded the track quick and spontaneous, capturing

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What Makes “The Dawn” By Lloyd’s Money Stand Out Is It’s Not Trying To

Forget the demo-like, DIY edge because Lloyd’s Money has officially stepped out of the basement to make a statement after wrestling with their sound. And what you’ll get isn’t just pop, or surf, or rock, but all three in their six-part EP, The Dawn. Hailing from the shores of Halifax, Lloyd’s Money delivers their professional

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Mike Masser’s 5 Is Volatile, Cathartic, and Often Uncomfortable; That’s Why It Matters

After four years away, Mike Masser is back, and apparently the man didn’t spend that time crocheting or birdwatching. No, he made 5, an album that opens the door by kicking it clean off the hinges. This isn’t a polite return to the scene. It’s the kind of record that stomps into your living room,

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Skip Overcrowded Clubs for a Dance Hall Nostalgia with The New Citizen Kane’s “CAUSING A COMMOTION”

If you’ve ever missed the times when music used to be fun, carefree, and simply present, The New Citizen Kane brings that spirit back with a nostalgic, dance hall-ready EP CAUSING A COMMOTION. Kane Luke, known as The New Citizen Kane, is a singer-songwriter, producer, and visual artist from England. His works not only reflect

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Circle the Dream Shows Nom de Plume Truly Comfortable With Restlessness Itself

There’s something inherently funny about an album trying to be both sprawling and intimate. Like, imagine someone handing you a shoebox filled with postcards and saying, “This is the Odyssey.” That’s Circle the Dream. It wants to be a folk record, a prog record, and a diary all at once, and instead of collapsing under

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Nate G Cultivates on Me Myself I, a Self-Produced Dive Into Solitude, Self-Awareness, and the Unbearable Tightness of Being Alone With Your Own Thoughts for More Than Five Minutes

Imagine locking yourself in a dimly lit room. Not for dramatic effect, but because it’s 3AM and turning on the light feels like too much responsibility. That’s the emotional ecosystem Nate G cultivates on me myself i, a self-produced dive into solitude, self-awareness, and the unbearable tightness of being alone with your own thoughts for

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Leazes’ “Melissa In Action” Is A Late Summer Drive With No Destination In Mind

It only needs jangly guitars, pounding drum hits, and stimulating vocals to spark an ignition of late teenage summer. And when it hits you, it’s impossible to ignore. Leazes overflows with that unfiltered energy in their latest single, “Melissa In Action”. Hailing from the UK, Leazes have been making waves in the alternative/indie scene since

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If Music Were Recorded For Authenticity Over Perfection, It Would Be A WOLF LIKE ME’s “Driving With Lilly”

If a song was recorded more for the feeling and authenticity than for perfection, it would’ve been A WOLF LIKE ME’s Driving With Lilly. You’ll get no spectacle, no unnecessary layers, only an embrace to imperfection that’s endlessly replayable. Aaron Reiter’s brainchild, A WOLF LIKE ME is back with the summer’s indie rock anthem Driving

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