Let’s be honest up front: a song titled “Give Me. Give Me. Give Me I Want It All” sounds like it’s either going to be an aggressively shallow disco throwback or a deeply committed bit. There is no middle ground. Deptford Sound Collective, thankfully, are committed fully to the bit. What they’ve created here is a glittery, satirical protest song that dances directly into political discomfort while wearing platform shoes and winking at you the entire time.
On the surface, this track is a parody of 1980s disco excess. You get the familiar bounce, the glossy rhythm, the kind of groove that makes you instinctively picture mirrored walls and questionable fashion choices. But very quickly, it becomes clear that this isn’t just retro cosplay. The Collective uses that sugary, nostalgic sound as a Trojan horse for something sharper: a pointed, humorous message aimed at power, privilege, and political cruelty.
Sonically, it also wouldn’t feel out of place in Little Big’s catalogue. There’s that same blend of absurdist pop, club-ready beats, and tongue-in-cheek theatricality. Like Little Big, Deptford Sound Collective understand that sometimes the best way to criticize something is to exaggerate it until it becomes impossible to ignore. The track feels deliberately over-the-top, and that excess becomes part of its political language.
The song frames itself as an exaggerated “letter” to Donald Trump, though it’s less about one individual and more about the systems and attitudes he represents. Instead of shouting slogans, it leans into satire. It exaggerates entitlement, mocks greed, and highlights hypocrisy by pretending to embrace it. This is protest through performance. It’s not yelling at you. It’s holding up a funhouse mirror and letting you notice how warped things look.
Musically, the groove never collapses under the weight of its message. If anything, it thrives on the contrast between upbeat disco energy and serious subject matter. The production is clean, bouncy, and deliberately inviting. You could dance to this without realizing you’re participating in a political statement. That’s kind of the point.
The video and choreography push the concept even further, leaning into camp and theatrical optimism while threading in themes of solidarity and resistance. It feels like community theatre filtered through pop aesthetics and internet culture.
Ultimately, “Give Me. Give Me. Give Me I Want It All” works because it refuses to choose between being fun and being meaningful. It’s catchy without being empty, political without being preachy, and ironic without being detached. In a landscape where protest music often feels either painfully earnest or completely toothless, Deptford Sound Collective manage something rare: a song that makes you dance, laugh, and think, sometimes all at once.
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About the Author
A tenured media critic known working as a ghost writer, freelance critic for various publications around the world, the former lead writer of review blogspace Atop The Treehouse and content creator for Manila Bulletin.
