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Fretboard Fireworks From Belgrade: Ikad! Solve the Math Rock Equation With Joy

"Forget the calculators and the cold precision usually found in the genre because IKAD! have arrived from Serbia with a debut that turns complex polyrhythms into a high-speed playground."

Belgrade is becoming a weirdly fertile ground for music that defies categorization and IKAD! feels like a lightning strike in a bottle on their debut track Jesus Was Born. The name suggests a shout into the void and the music follows through with a frantic kind of joy that feels like someone finally solved a Rubik’s cube at a hundred miles per hour. It starts with a cleanliness that feels almost clinical but it explodes into something far more human and messy.

There is a lineage of technical wizardry that runs through the complex tapping of Covet and reaches into the heavier polyrhythmic weight of Animals As Leaders but this Serbian outfit manages to find a sweetness that often gets lost in the academic woods of the genre. Most math rock acts get trapped in the arithmetic and forget the rock and yet IKAD! treats every odd time signature like a playground rather than a classroom. You can hear the influence of Chon in the breezy guitar tones but there is a distinct European grit under the fingernails here.

About halfway through Jesus Was Born the guitars enter this dizzying spiral where the notes seem to be chasing their own tails and the drums provide a backbone that is both sturdy and unpredictable. It is the kind of writing that makes you want to air-drum while wondering how many fingers the guitarists have because the speed is immense and the melody remains front and center. Math rock as a movement can sometimes feel cold but this track breathes with a warmth that reminds me of Toe and their ability to make instrumental music feel like an honest conversation. It rules.
This three-track EP is a hell of an introduction and Jesus Was Born is the crown jewel that suggests Belgrade has a new set of guitar heroes ready to take on the world. The production is sharp and every pluck of the string feels like it is happening right in your ear canal so you can feel the physical effort behind the technicality. I found myself hitting repeat before the final chord had finished ringing out because music this adventurous and this unapologetically fun is rare and I suspect we are watching the start of something massive.
 
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